Originally a theatre, now known as the Metro Nightclub, the building was constructed in 1911 replacing the original ‘Queen’s Hall’ attached to the Hotel Douglas.
To refresh your memories or to provide the basis for discussion, here is a reprint of our blog dated Sept 27th 2017.
The Palace Theatre Melbourne – perhaps you remember it as the Metro Nightclub. Demolition of this well known Melbourne icon was approved in 2016 at VCAT. The interior was illegally demolished without permits in 2014. It is now owned by the Jinshan Investment Group. The group planned to build a 30 storey W Hotel on the site but are now restricted to a 7 storey site after the intervention of the City of Melbourne. Located at 20-30 Bourke St, the venue has a long history in the Entertainment Industry. As it stands, it is slated for demolition at any time.
The Palace Theatre is somewhat of an enigma. Its scenario is not that dissimilar to the Corkman Hotel of Carlton illegally destroyed by developers recently. The building is in fact a large, high roofed theatre. What was significant about it were its internal fittings. In 2014 a contracted demolition company removed the ornate plaster features, facades and balcony decorations, rendering the interior somewhat featureless and undermining any claims of heritage value. One could consider it a ‘tactic’ to enable a party to proceed with a demolition that might otherwise be opposed.
It this case, the venue represents a very valid principle in both planning and preservation. In the view of many – including the City of Melbourne’s representatives, it should be incumbent on the properties owners – Jinshan Investment Group – to restore the interior to its previous state.
Originally the site was occupied from the late 1850s by the Excelsior Hotel. Hotels at the time were close relations to the Theatre and Theatre companies of the time. The Excelsior had a ‘hall’ attached known as ‘Queen’s Hall’. Vaudeville, boxing and wrestling events were staged there regularly. Name changes occurred in 1875 (Stutt’s Hotel) and 1900 (Hotel Douglas). The hotel was destroyed by fire in 1911 and the land was sold for 32,000 pounds.
In 1911, a new theatre was commissioned by the new owners, to occupy the site. Queensland Architects Eaton and Bates in association with Melbourne Architect Naham Barnet were tasked with designing the new theatre. It featured seating on 3 levels with a large proscenium and very grand ‘curtains of gold’. The theatre incorporated a hotel, the Pastorial, with bedrooms on the first floor.
The theatre was modified in 1916 with a complete refitting of the lobby and auditorium under the instruction of Architect Henry E White. This involved the addition of ornate plaster mouldings decorating the theatre in a style recognised as ‘Louis Seize’.
Further additions to the decorative style occurred in 1923 when the theatre auditorium was extensively remodelled , retaining the Louis Seize style yet overlaying it with a further Adamesque decoration. Upon completion it reopened as the ‘New Palace’.
In 1934 a further new renovation occurred and the theatre became known as the Apollo. It was renamed again in 1940 – The St James Theatre. 1951 saw it renamed ‘The St James Theatre and Metro’. Now an MGM theatre it became a cinema and showed films exclusively from that studio.
The street frontage and facade was remodelled in an Art Deco style – designed by a H Vivian Taylor, and to this day the design remains. The Proscenium and side boxes were removed to allow for the installation of a ‘CinemaScope’ screen.
In 1971 it reverted to live theatre with the production ‘Hair’ running for 39 weeks. By 1974 it had reverted to its original name and was a working Cinema – again. 1980-1987 saw it as a Christian Revival Centre run by the Pentecostal Church.
A major refurbishment was undertaken in 1987 by Melbourne Architects ‘Biltmoderne’. From then on it was known as the Metro Nightclub. The Nightclub was sold in 2007. The new owners were the former owners of the Palace live music venue in St Kilda.
They renamed the venue ‘The Palace’. Holding 1850 people, the venue hosted many well known touring groups and musicians over the next 7 years. It was sold to the Chinese Development Group Jinshan in late 2012.
In 2016 opponents to the demolition of the venue finally lost the fight and VCAT ruled that the Demolition should proceed and the redevelopment works go ahead.
Excerpts from Wikipedia
This is a rather interesting case study. From an architectural viewpoint, much of the original charm of the foyer and auditorium were removed over the years but the very ornate plasterwork remained up until 2014. Additions made in 1987 including stainless steel staircases and galleries could easily have been reverted.
Its claim for heritage value was not on architectural grounds but on cultural grounds. The Bourke St Precinct has strict heritage overlays yet the Developer was prepared to challenge these, even in view of the Windsor result and the location of the Victorian Parliament, with a 30 storey tower – until challenged by Council as to its height.
According to Professor Graeme Davidson, the Heritage listing (not ratified) for cultural importance was and is well justified.
“This is likely the last surviving expressly built Vaudeville Theatre (Variety Show) in Melbourne.”
The destruction is breathtaking when considering the ‘before’ and ‘after’ shots. In our view this is a glaring example of manipulation of regulations by third parties to gain an outcome that provides little recognition of heritage values. Under the Bourke Hill precinct overlay, the theatre’s internal fitout was protected as was the building’s facade. When the theatre was gutted and the interior demolished – no authority intervened.
Heritage is often more than just the value of the individual aspects of a building. It is the sum total of the history, the usage, the architecture and the decorations of a building. And as with the Corkman in Carlton and the Greyhound Hotel in St Kilda, this time VCAT, you got it wrong.
What’s your opinion? Should the developers be forced to restore unauthorised demolitions? As it stands we have precious little left to preserve.
Its time Council started to respond and intervene when required. Our city has great character and we must do whatever it takes to retain what is quintessentially Melbourne.
Source: Balance Architecture
So in this instance the application for Heritage Listing was based entirely on the Cultural Heritage of the venue, but as can be seen, the history of the venue is much older and far more impressive that just the cultural heritage. It would appear that under Heritage Victoria’s direction Art Deco is not valued, unless it is specifically mentioned in the Heritage application. Surely the umpire should have stepped in here!
Take a look at the architectural mouldings, the plasterwork, the murals – simply irreplaceable!
Melbourne’s old vaudeville theatres have all but disappeared. The Tivoli, the Theatre Royal, Sol De Val, the Gaiety and St George’s Hall to name but a few. Bourke St East was the heart of theatre and vaudeville in old Melbourne town. Sadly it’s now lost.
From The Age…
‘Morally outrageous’: After 108 years, demolition of The Metro begins
Demolition of one of Melbourne’s best-loved music venues, The Palace Theatre on Bourke Street, began this week, ending a seven-year public battle to save the venue.
The 108-year old theatre, venue of The Metro nightclub for over 20 years from 1987 as well as a live music hall, played host to artists including James Brown, The Prodigy, Slash, Jane’s Addiction, Arctic Monkeys and Queens of the Stone Age until its doors shut in 2014.
With the site to be converted into a Marriott hotel after years of conjecture, councillors and music industry figures have lamented the demolition as an indictment on Victoria’s heritage laws, which they say fail to properly recognise the cultural value of the state’s venues.The Palace was sold in 2012 to Chinese developer Jinshan Investment Group for $11.2 million.
Melbourne City Council approved plans to build a hotel in 2013, which objectors unsuccessfully opposed in the Victorian Civil and Administrative Tribunal in 2016, however the site was dormant until the roof was removed in the past fortnight.
Known for its marble staircase and sweeping viewing balconies, photos emerged this week of excavator trucks in the venue, the stage area in rubble and a hole in the roof where a chandelier once hung.
Melbourne City councillor Rohan Leppert, who leads the council’s heritage division, said the 3000-capacity Palace was not previously granted heritage status because renovations had created a “mish-mash of architectural eras”.
“Even though the demolition that’s happening inside the theatre is perfectly legal, it’s still morally outrageous,” Cr Leppert said.
“Our heritage regime still rewards architectural purity above everything else, but the thing that makes The Palace special is the social history of the place, which is so extraordinary. I hope we are never in a situation like this again.”
Music Victoria chief executive Patrick Donovan said The Palace closure left a “massive gap” in Melbourne for a medium-sized venue with a late-night licence.
“It was an absolutely pivotal venue in the Melbourne music scene,” he said.
“It was a popular weekly alternative music nightclub called Goo for university students, then they had live music shows up to five days a week. I really do believe our heritage laws need a good look at.”
The Palace was also used as a cinema, Pentecostal church venue and theatre in its 108-year history. It’s understood the developers will be required to retain its historic facade.
Mr Donovan said cities such as Vancouver and Toronto in Canada recognised cultural value more than Victoria and said The Palace should be used as a cautionary tale to protect venues such as St Kilda’s The Esplanade and Festival Hall, which survived an initial push for demolition in 2018.
“We don’t need any more apartments in this city, but we do need venues like the Espy and the Palace.”
Rebecca Leslie, spokeswoman for the Save the Palace campaign that has fought the development since 2013, said the demolition’s timing had taken the group by surprise.
“The experience of attending a live band there was incredible. No matter where you stood, you got the most incredible view, with this beautiful 100-year-old building, with all the pictures and fittings around it still intact.”
It is accepted that many of these buildings (the theatres) would not have lasted until today in terms of Construction, however The Metro had done so until 2012 and put simply the venue was unique.
As we said before, now we have a 7 storey hotel with 143 rooms, a gym, a swimming pool and a restaurant.
C’est la vie.