In Melbourne nothing stimulates discussion on the relative merit of the architecture of new landmark sites as does the mention of Federation Square or Southern Cross Station. People either love them or hate them.
In the case of Federation Square we are definitely admirers… Let me give you our reasons.
Over the last 200 years the site has had a range of somewhat unpleasant uses. It hosted the City Morgue and the trains that transported the dead to the Kew Cemetery, the original Fish Market, Corporate offices of the most unsightly building that ever graced Melbourne and massive Railway Yards, rolling stock and workshops, an atmosphere of dust, metal noise, smoke exhaust and oil.
With many planners keen to link the Melbourne CBD with its river the Yarra, these plans were always undermined by the conundrum of what to do with the then required extensive and extremely busy Railway yards and facilities.
Perhaps one of the biggest bug-bears was the ridiculous situation where the incredibly ugly Gas and Fuel Towers blocked the view of one of Melbourne’s most iconic and beautiful buildings – St Paul’s Cathedral.
The Gas and Fuel Corporation Towers were somewhat representative of the times in which their construction occurred – 1967. Brown brick, aluminium windows, a pale green and brown monstrosity, commissioned and built over what was originally the Princes Bridge Station and Rail Yards on the South side of Flinders St. What a contradiction it was to the surrounding cityscape.
St Paul’s, Flinders St Station, Young and Jacksons Hotel, the Forum Theatre – all delightful and interesting buildings, constructed to be somewhat timeless – and the Gas and Fuel Building – plonked like a huge hideous misshapen Lego block. When it was finally demolished in 1997 it was to make way for Federation Square and Birrarung Marr, an extensive, beautiful addition to Melbourne’s parkland.
The Railways had occupied the land since 1859, and over the years it became the driving hub for the Melbourne Electrified Railway System.
Prior to this for thousands of years the site had been the meeting place for indigenous tribes of the Kulin Confederacy. The Wathaurung, the Bunarong and the Woiworung peoples occupied the surrounding lands to the North, South and East with the swamps and salt marshes West to the Marybnong River and beyond being considered communal hunting grounds. Tribal people still camped on the Yarra banks, both sides, stretching from this area down to the MCG and Government House during the early years of European settlement.
Federation Square and its development leading up to the Centenary of Federation in 2001 gave rise to a perfect opportunity to celebrate the ideas of ‘identity’ and ‘place’ in providing a much needed civic and cultural space.
The Victorian Government had commissioned the architecture to Lab Architecture Studio, a firm based in London and Melbourne firm Bates Smart with whom they formed a partnership. Lab Architecture had originally been one of five finalists in the Victorian Government two stage design competition commenced in 1996. The partnership with Bates Smart, a premier Melbourne Architecture firm was required to proceed to the second stage and the consortium was awarded the contract for the design of the new area..
The Fractal Facade is an extraordinary feature. “Three cladding materials: sandstone, zinc (perforated and solid) and glass have been used in a circular pinwheel grid. This modular system uses five single triangles (all of the same size and proportion) to make up a larger triangular panel. Following the same geometrical logic, five panels are joined together to create a large triangular ‘mega panel’ which is then mounted onto the structural frame to form the visible facade.” [from http://www.fedsquare.com]
For the public the controversy was fanned by ‘shock jock’ radio personalities and tabloid journalists who simply ‘didn’t get it’. The criticism went so far as to see the Glass Shards planned for the North Western corner removed from the plan and the finished result. It was claimed the Government did this to appease critics who believed it would again block the vista of St Paul’s Cathedral however many believe it was an unnecessary political intervention to ameliorate ongoing criticism from more conservative voices in the community.
It is now recognised as an extraordinary contemporary work lauded and praised internationally as changing the overall look of the Melbourne CBD and its entrance. The public have adopted it and its features with enthusiasm and it plays a huge role in Melbourne’s Cultural and Civic Events.
And everyday thousands of Melbournians commute on trains to and from the city beneath the structure. The cinemas, galleries, radio and television studios barely experience a vibration. It is in fact one of the largest expanses of railway decking ever built in Australia taking twelve months to complete.
Next week we continue our series on Melbourne Architecture as we move to the western end of Melbourne – Southern Cross Station and its adjoining Docklands precinct.